Virupaksha Temple is nestled in the heart of Hampi, a village on the southern bank of the Tungabhadra River in Hospet Taluk, Bellary district, Karnataka State. Surrounded by picturesque landscapes with striking and beautiful natural scenery, Hampi's location provided great strategic strength, leading the Vijayanagara rulers to choose it as their capital. The temple itself, dedicated to Lord Shiva, stands as a testament to the rich historical and cultural heritage of the region.
Virupaksha Temple at Pampa-Kshetra or Bhaskara Kshetra, has deep roots. Pampa, the daughter of Brahma, performed penance here to marry Shiva, a legend celebrated in the local lore as Girija Kalyana and Pampa Mahatme. This temple is also associated with the epic Ramayana, adding layers of significance to its history.
Virupaksha Temple is home to many significant locations connected to its rich heritage:
Virupaksha Temple is renowned for its elaborate rituals and ceremonies, many of which have been performed since ancient times, maintaining the cultural heritage of the region.
Morning Puja
In the early morning, the idols of Virupaksha and Pampadevi are brought from the bedchamber, symbolizing the transfer of chaitanya from the image to the linga. This marks the beginning of the day’s worship and is a significant part of the temple's daily activities.
The junior priest fetches water from the Tungabhadra River for abhisheka, accompanied by temple musicians. This water is used in the morning puja, which is elaborate and involves chanting mantras and praying for the community’s well-being.
Lamps are lit in the main shrine and other sub-shrines, marking the start of the day’s worship. This brings a serene glow to the temple, enhancing its spiritual ambiance.
Worship of deities in smaller shrines within the temple complex starts from the Varada Ganapati and includes Chamundi, Anjaneya, Suryanarayana, and other gods. The priest performs abhisheka followed by decorating the deities with sandal paste and flowers.
The main puja is performed in the morning, noon, and evening. The priest starts performs panchamrita abhisheka with milk, sugar, honey, ghee, and curds. The deity is then decorated with flowers, turmeric, and vermilion, and special occasions call for adorning with jewels.
Cooked rice and water are offered to the gods. This ritual involves the priest and an assistant, accompanied by torchbearers and musicians, moving in a circumambulatory path around the temple.
Bali is offered at different platforms around the temple. The head priest, along with another priest and the torch bearer, performs this ritual, accompanied by musicians playing traditional music.
The palanquin carrying the padukas is taken around the temple, symbolizing guru Vidyaranya. This involves circumambulating the temple three times, with the priest chanting mantras throughout.
After the paduka seva, ekanta seva is performed. This consists of a procession of the idols of Pampapati and Pampadevi in the shrine of Adishesha. Many devotees participate in this nityotsava, which is a token of identification of god with the community.
Twice a year, the giri pradakshina is performed. This involves a procession around Virupakshapura, covering a distance of two kilometers. En-route, devotees offer coconuts and fruits to the deity.
Virupaksha Temple is also known for its annual and special rituals, adding to the rich cultural tapestry of the village.
Phalapuja is a four-day celebration of the engagement ceremony of Virupaksha and Pampapati, occurring in Maghamasa. The idols are taken round and placed in the mantapa for public viewing and obeisance. The celebration culminates with the Teppotsavam, a grand procession in the palanquin.
Kalyanotsava celebrates the marriage of Siva and Parvati, with rituals that have been performed since ancient times, maintaining the historical and cultural continuity.
On the full moon day, a special ritual involves a procession and offerings to the god. The idols are decorated and placed in the palanquin, which is taken around the temple and Virupaksha bazaar, with devotees offering coconuts and bananas.
The rituals at Virupaksha Temple are enhanced by the participation of temple musicians and torch bearers, adding to the ceremonial atmosphere. The community's involvement is significant, with large gatherings for rituals, highlighting their devotion. Symbolic elements like water, lamps, and flowers are used in rituals, adding to the spiritual ambiance.
The nearest airport is Hubli Airport (approximately 166 km from Hampi). From the airport, you can hire a taxi or take a bus to Hampi.
The nearest railway station is Hospet Junction (Hosapete), which is about 13 km from Hampi. From Hospet, you can take a taxi or an auto-rickshaw to Hampi. There are regular trains to Hospet from major cities like Bangalore, Hyderabad, and Goa.
Virupaksha Temple is a place where history, and spirituality intertwine. The temple's picturesque surroundings, and rich cultural heritage make it a remarkable site. The elaborate pujas and ceremonies performed at Virupaksha Temple, many of which have been practiced since ancient times, maintain the cultural and spiritual legacy of the region. These rituals offer spiritual guidance, cultural connection, and emotional comfort, enriching the lives of the devotees and fostering a sense of community. By exploring Virupaksha Temple, one delves into deep philosophical themes and gains insights into the nature of existence, karma, dharma, and the purpose of life, making it a significant place for both personal and societal growth.
After the war, Dhritarashtra, Gandhari, and Kunti went away to Gangadvara to perform tapas. They used to wander about in the forest. A forest fire broke out one day. Dhritarashtra asked Sanjaya to go away. Afterwards, Dhritarashtra, Gandhari, and Kunti sat in meditation and let themselves be consumed by the fire.
Durdama was the son of a Gandharva named Vishwavasu. Once, he was enjoying himself in a lake near Kailasa along with thousands of his wives. Sage Vasishta, who was observing tapas there, got annoyed and cursed him. As a result, he became a Rakshasa. His wives pleaded with Vasishta for mercy. Vasishta said that Durdama would become a Gandharva again after 17 years with the grace of Lord Vishnu. Later, when Durdama was trying to swallow Galava Muni, he was beheaded by Lord Vishnu and regained his original form. The moral of the story is that actions have consequences, but redemption is possible through compassion and divine grace.
Narration of the glory of Omkara has no end
How the concepts of I and Mine complicate life
Shambhu Stotram
kaivalyamoortim yogaasanastham kaarunyapoornam kaartasvaraabham| bilvaadipatrairabhyarchitaangam devam bhaje'ham baalendumaulim|....
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